The HelsinkiArt.fi Networks

Seven major art institutions of the Helsinki Metropolitan Region have pooled forces to create a joint network opening a new window on the wide and varied world of art. We want to provide improved services, promote information about our work, develop the accessibility of art, and arouse interest in visual art and culture. A further aim is to develop cooperation among the member institutions of the network and the coordination and planning of activities.

The members of the HelsinkiArt.fi network are the Amos Anderson Art Museum, the Ateneum Art Museum, EMMA – Espoo Museum of Modern Art, the Helsinki City Art Museum, the Museum of Contemporary Art Kiasma, Kunsthalle Helsinki and the Sinebrychoff Art Museum. The institutions of the network hold over 80 art exhibitions each year, and their total number of visitors in 2008 was almost 950,000. In 2009 our exhibitions will be of an exceptionally wide-ranging and international nature, including several major art events. This year can with due cause be called the “year of the arts” in the Helsinki Metropolitan Region. Welcome to the world of the arts.

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With best wishes,
Berndt Arell, The Museum of Contemporary Art Kiasma
Janne Gallen-Kallela-Sirén, The Helsinki City Art Museum
Ulla Huhtamäki, The Sinebrychoff Art Museum
Kai Kartio, The Amos Anderson Art Museum
Maija Koskinen, Kunsthalle Helsinki
Maija Tanninen-Mattila, The Ateneum Art Museum
Markku Valkonen, EMMA – Espoo Museum of Modern Art

Two Faces of the Modern

Exhibition arranged by STSY

The Association of Finnish Fine Art Foundations (STSY) presents the exhibition Two Faces of the Modern with art from the 1920s and 30s from its member collections. The exhibition, curated by Timo Valjakka, exhibits some eighty paintings and sculptures by artists central to the period. Several exhibits are on public display for the first time. The period between the world wars is not very well-known as a whole. The art scene in the first two decades of the newly independent Finnish state can be characterized as rich, versatile and internationally oriented with strong contradictions. The young nation looked towards the arts in search of an identity, which in a way received two outward faces due to the wishes and expectations placed on it. Some looked towards Paris or similar metropolises, embracing Cubism and Futurism, while others turned towards Finnish history and subject matter thought to pertain to the Finnish national identity. Some renowned artists such as Wäinö Aaltonen, Ragnar Ekelund and Väinö Kamppuri were able to unite these two opposing strands, creating a fine-tuned and controlled modernism. The Great Depression of 1929 was a turning point. It had a direct impact on art, also in Finland. Artists faced hard times. Some went door-to-door selling their work, while others found supporters in the larger banks and in the wood processing- and paper industry – the backbone of Finnish exports. Hence, art from the decades between the world wars is thoroughly represented in the STSY member collections. When the economy improved in the late 1930s, Finland resumed active participation in the World Fairs. Exhibition pavilions designed by Alvar Aalto shaped Finland's outward image towards that of a modern welfare state, an image that is still widespread. The success rubbed off on artists, whose visual expression became freer in the wake of developments in architecture and design. However, the war that started in the autumn of 1939 put an end to this promising development, bringing the young nation right back to square one.

Type:
art exhibition
Dates:
29.5.2009 - 20.9.2010
Extent:
6/10
Ohje?

Kohteen laajuus viittaa tutustuttavien kohteiden määrään ja aikaan, jonka voi arvioida niiden tarkastelun kestävän. Yksi palkki viitaa pienikokoiseen näyttelyyn, jonka voi käydä katsomassa jopa hetken mielijohteesta. Viisi palkkia tarkoittaa suurnäyttelyä, johon tutustumiseen kannattaa varata aikaa useita tunteja.

Keywords
Finnish art, painting, sculpture